Scroll Down to Read Parichay Pustika in Gujarati (ગુજરાતી પરિચય પુસ્તિકા વાંચવા સ્ક્રોલ કરી નીચે જાવ)
Rasbihari
Desai (1935-2012), who was fondly called
Rasbhai, even by himself, was a renowned vocalist and composer of Gujarati
songs. He had a deep sonorous voice. He
lived up to what he used to say – “Sureelo kanth, sureelu-n jeevan
(A Melodious Voice, A Melodious Life).” A knowledgeable professor of Physics,
he remained steeped in spirituality. Humble to the core, he would bow even to
youngsters, if talented, thus humbly demonstrating reverence for their artistic
excellence.
He
was born to Durgaba and Ramanlal Desai of a respectable Nagar family in Patan
(North Gujarat). His grandmother Mahalaxmiben used to sing Ramacharitmanas
fully in her flowing expressive voice. Father Ramanbhai was a singer of repute
too. Rasbhai was married in 1964 to Vibha, who had the distinction of having
been recognized as a national level singer by All India Radio. She went on to
receive the Best Female Playback Singer Award (1989) for the film ‘Kashino
Dikro’, still regarded as a milestone in the history of Gujarati cinema. In
the music world, Vibha and Rasbihari Desai remained complementary names.
Together they gave over 1,000 performances in Gujarat, outside Gujarat as also
abroad.
Rare
Voice Quality
He
did not receive any formal training in music. He had a natural genius for it.
He had the ear to notice the finer qualities of singing that gave it character
and the voice that made them his own. Reading enriched his repertoire and interpretation.
He took care to constantly expose himself to genuine poetry and to pronounce
its words correctly, retaining the dhwani that gave them their
distinctive aural beauty. He was gifted
with that rare quality of voice we call Kharaj – notes in the lowest
octave - rising from within and through sustenance assuming meditative depth
and dignity. He accepted having been encouraged and inspired by Sooryakant
Dave, Suresh Jani and Purushottam Upadhyay.
Musical Journey
At
the age of 19, Rasbihari had the distinction of being All India Radio approved
vocalist in light music to be upgraded in course of time to the Top Grade. AIR, and later Doordarshan, regularly invited
him to concerts all over India. He
remained the nucleus of musical activities throughout his academic career as a
professor of Physics and it was often that talents finely honed by him claimed
top places at the university and national levels. For training to students for inter-university
events, he was almost always invited.
At
numerous music-orientation camps and workshops organized by the Gujarat
University and Government of Gujarat to mould budding singers, he diligently
and insightfully followed the indigenous traditional method of imparting
training in music. Pranayama, dhyana, breath-controlling exercises,
prayers, poetry recitation and appreciation, a scientific approach to
developing voice culture and an emphasis on experiencing the divine through it
were integral to his interactive music sessions. He conducted such lec-dems and
workshops in the UK and the US as well. Again, reminiscent of our parampara,
going back to ancient times, quite a few students in his lifetime were
welcome to stay in his family, observe and emulate his lifestyle and learn
music in the spirit of a sadhana, experiencing the bliss, the ambience
and his dedication offered.
Shruti Vrunda
Rasbihari Desai was instrumental in the
formation of Shruti, a group of non-professional proficient trained
singers, which in course of time emerged as the benchmark in group singing with
a fragrance of the soil in the songs and a refreshing spontaneity in rendering
them.
For
over 40 years Shruti
gave more than 300 performances in Gujarat, Mumbai, Delhi, Nagpur, Kolkata and
other places. Music maestros like Lata Mangeshkar, Hridaynath Mangeshkar, Salil
Chaudhary, Madan Mohan, Manna Dey, Mohammed Rafi, Laxmikant Pyarelal and
Avinash Vyas were among those who highly commended Shruti’s significant
tenacious endeavour..
Bhavan’s Sangeeet Vibhag
At
the instance of Kanaiyalal Munshi, a leading author, a political leader and the
founder of Bharatiya Vidya Bhavan, Rasbihari Desai consented to be the mentor
of Bhavan’s Sangeet Vibhag in 1967 and continued the activity consistently for
over 43 years. Under his guidance it significantly contributed to Gujarati Kavya
Sangeet and Choir Singing. He inculcated in his students having different
voices and varying degrees of proficiency, a sense of dedication to music and
humility to let individual identity melt and help the group grow..
Thought
provoking lectures-demonstrations and articles
Rasbihari
Desai enriched Gujarati Kavya Sangeet not only with his melodious voice and lilting
compositions but also with his thought provoking lec-dems and articles. Vision,
Reason and Precision were the integral elements of his thought process that
lent originality and effective expression to his speeches and writings. He was
invited to deliver speeches and lec-dems at various prestigious seminars,
conferences and workshops on music. His conceptual and innovative articles got
published in a number of leading newspapers and magazines.
Spiritual leaning
Rasbhai
was precise and low profiled as much in speaking as in writing. The books he
read, and he read many, reflected his ardent love for music and spiritual
explorations.
Shri
Dhyani Maharaj Madhusudandasji was his spiritual Guru. He thought himself
fortunate to be in live touch with the enlightened personalities like Shri
Chidanandaji of Shivananda Ashram, Pramukhswami Maharaj and Shri Vimlatai Thakar through
correspondence.
All
said, music remained an instrument of a spiritual ascent to him. Spirituality
was nurtured in him since his childhood by his Foima (Father’s sister)
Nirmalaben Desai, an affectionate and learned lady who used to tell him
inspiring stories from Indian scriptures. His young inquisitive eyes also
witnessed some such incidents that cannot be interpreted by mere intellect. The
imprints of these childhood memories evoked an urge in him to seek the
infinite.
Some
of the experiences Rasbihari himself recounted go beyond the realm of spirituality and have an element of mysticism about them.
A couple
of days before his marriage, he had for two days remained engaged in a cloud
chamber experiment in the dark room of the physics lab of his college, Gujarat
College. It is difficult to say when and how he slipped from the domain of
physics to the one of spirituality. His relations assert he did. His individual
consciousness became one with the universal consciousness, it was believed.
On
his return on the evening of 27th May 1964, he explained his absence
for two days to the worried family and added that in the state of meditation, he had an intuitive communication
that the then Prime Minister of India Pandit Jawaharlal Nehru had passed away
and it indeed was true.
Another
such incident took place in the year 2007, when while singing in his Pooja
room, he heard a voice, different from his own voice. The immense melody of
that divine and blissful voice was so overwhelming that he could not help
praying to the Almighty to cease his own voice so that only the divine voice
could be heard forever.
The
prayer was answered in 2012. On October 6, his voice ceased to mingle with the divine.
He left this ethereal world to merge with the eternal melody.
The then Chief Minister of Gujarat Shri
Narendra Modi along with the renowned personalities from the field of
literature and music expressed deep shock and grief. .A great homage was also
paid to him by the electronic as well as print media.
A Parichay Pustika by Image Publication titled
Rasbihari
Desai written by Margi Hathi was released by Shri Morari Bapu in the
inaugural ceremony of Kavya Sangeet Samaroh- 2013 jointly organized by Gujarat Samachar and
Samanvay.
A
place near his residence is named “ Sangeetkar Rasbihari Desai Chowk “‘ by the
Ahmedabad Municipal Corporation as a mark of respect for his unforgettable and
valuable contribution in Gujarati Kavya
Sangeet.
An
Award has been floated in his memory since 2014. Sangat Prerit Shri Rasbihari
Desai Sanman is conferred
every year to a prominent Gujarati Singer in Anushthan, concert of Gujarati
music.
No comments:
Post a Comment